marycatelli (marycatelli) wrote,

detailing the characters

It's amazing what it can do really -- and sometimes it's nice, and sometimes it's not, because the moment you lay on the colors, your muse can look over your shoulder and say, ooh, nice toy.

Laying some colors on the appointed sacrificial lamb, so that you can conceal that his entire purpose in the story is to convince readers that people really die -- people with names even -- and he may come to life and make you regret your original choice.  Indeed, perhaps he might work better as the Designated Love Interest. . . and you look at detailing the original Love Interest, except that then maybe you have rivals, or a character whose love interest it might be better to provide within this story, or the next.

Part of it is my wimping out on death.  But other characters have been known to demand -- at the very least -- subplots.  Good for plumping up the story.  (I have been known to recommend to NaNoWriMo writers adding a conflict for the minor characters as a way of getting word count.)  Not so good for ensuring that the story hangs together.
Tags: characterization, conflict, death, idea development, story length, subplots, unity of theme

  • Aria: The Masterpiece Volume 1

    Aria: The Masterpiece Volume 1 by Kozue Amano In the future, when Earth is Manhome, and Mars is a terraformed world called Aqua because the melting…

  • Starship's Mage

    Starship's Mage by Glynn Stewart This is the first volume of a series but works on its own. It's also a compilation of independent episodes, which…

  • Quiet Pine Trees

    Quiet Pine Trees by T.R. Darling A collection of very short stories. Of various genres. A lot of time-travel, including a sequence about a…

  • Post a new comment


    Anonymous comments are disabled in this journal

    default userpic

    Your reply will be screened

    Your IP address will be recorded