marycatelli (marycatelli) wrote,
marycatelli
marycatelli

escapism and the ivory tower

Something I've been pondering ever since I ran across an astute observation about Kafka's "Metamorphosis":  it's not really a fantasy story, because in a fantasy story the writer would at least have touched on the issue of -- what does it feel like to be a bug?  But in "Metamorphosis" being a bug is just a way of not being human.  You don't get things like the scene in Poul Anderson's Operation Chaos where the narrator talks about how things are different, being a wolf, and concludes that some psychologists have treated mental illness by turning people to animals for a time -- and it convinces you.  You don't even get something like A Wizard of Earthsea where Ged, turned into a bird, can fly.

On further reflection -- well, you get great classics of SF like 1984 and Brave New World.  And you consider why those got accepted in academia.  And you may notice that, being dystopias, they are about the contemporary world, not about the future.  They're not about escape.

And I have run across many critics who interpret all fantasy works as metaphors for more mundane stuff.  Indeed, I have run across one that said of a certain work that if it can't be interpreted as something about the modern world, it is thereby excluded from consideration as "serious literature."  (The logic is apparently that "me and mine" are serious, and everything else in the universe is frivolous.)

A lot of people, academic as well as otherwise, aren't really interested in the escapist impulse.  They don't want to get out.  So they pick and chose among fantastic works those that most fit their real taste in literary, and not for their fantastic elements at all.  Kinda limits their ability to distinguish between good and bad works, being blind to what they are attempting to do.  (Attempt being a key word; many works fail most ignominiously to actually get out.)
Tags: escapism, genre: fantasy, genre: satire
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