marycatelli (marycatelli) wrote,

William Shakespeare's The Empire Striketh Back

William Shakespeare's The Empire Striketh Back by Ian Doescher

Once again you know the plot. . . .

He made a few switches.  For instance, instead of putting all the off-stage business in the mouth of the Chorus, sometimes he had characters explicate it, a la Gertrude's account of Ophelia's death in Hamlet.  And he was faced with Yoda.  The sort of derrangement of clauses and sentences that iambic pentameter requires makes everyone sound kinda like Yoda.  So after some wrestling -- he put all Yoda's speeches in haiku, though not precisely the Japanese form.  Plus prose.  Shakespeare used prose, and so we have one character resorting to it:  Boba Fett.

In this one, I notice the asides more.  In the movie people could surprise you with acts, and only afterward you learn the motive, but here, asides clue you in from the start.  Lando is billed as a traitor from the start, and gets his conflict more dramatized.  Which, come to think of it, is very Shakespearean -- all dramatic irony and no surprises.

As in the first, sometimes the language felt incongruously modern, and sometimes the lines straight, or twisted, from Shakespeare were a bit of a jar, but still fun
Tags: fiction reviews: sf, poetry reviews

  • observations about inspiration

    One can discuss what the effect of power levels, and number of superheroes, are on world-building. But when building a superhero story, one doesn't…

  • encounters

    It's all very well to plan out how the heroine and the others escape from the evil and violent monsters. You still have to get them to meet in the…

  • the adult problem in a scene

    Most of a work in progress solves the adult problem by having the narrator face age-appropriate problems. Only when she gets to be an adult does she…

  • Post a new comment


    Anonymous comments are disabled in this journal

    default userpic

    Your reply will be screened

    Your IP address will be recorded